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The technology allows the listener and viewer to get a sensation of what a situation sounded and looked like, but the technology actually only captures the sequence of light patterns or sound pressures acting on the recording instrument (camera, microphone).
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Within the landscape is a range of technologies including engineering, computing, Internet technology, archiving, media management, museum collections management, curation, preservation, access, knowledge management and resource discovery.Īudiovisual recordings are surrogate reality.
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Audiovisual digitization for preservation is so pervasive that the two words have come to be used interchangeably. The audiovisual domain is unique in that digitization is routinely critical to preservation.
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It is recommended to readers who need a more advanced level briefing on the topic and practice. The report itself provides a "deep dive" discussing a wider range of issues and practice in greater depth with extensive further reading and advice ( Wright, 2012). Five "mini case studies" of UK collections that have run preservation and access projects for sound and moving image content are included. This case study provides a brief novice to intermediate level overview summarised from the DPC Technology Watch Report on Preserving Moving Picture and Sound. Illustration by Jørgen Stamp digitalbevaring.dk CC BY 2.5 Denmark Overview